APPLICATIONS -- 2010; 001

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Santana Lopez 4/?

[skullduggery.livejournal.com]

For a girl so fixated on cultivating such a tough image, the fact that she breaks down in near tears while serenading Mr. Schue with lyrics like "A friend who taught me right from wrong / and weak from strong / that's a lot to learn" during Glee's rendition of "To Sir, With Love," is very telling; she's not all thorn and thistle. Actually, her smarmy air of confidence is disturbed quite often, exposing a vulnerable side to her character. Sometimes it's over petty things, like losing tanning privileges or being denied a free meal at Breadstix. But most troubling of all her quirks may be why such a pretty and popular girl felt the need to undergo breast augmentation. At first she appears fairly pleased with herself - sassier and possibly more promiscuous than ever (if the reaction of McKinley's male population is anything to go by). But she faces harsh criticism from rival Quinn Fabray and - more seriously - Coach Sylvester, who actually demotes her from her position as Head Cheerleader and continues to openly mock her over her "vine-ripened chest fruit." Santana even catches flack from the increasingly chauvinistic Artie, who wonders if he can use the ostrich eggs she's smuggling in her bra to make the world's largest omelette.

Overall, Santana is shown to have a very wholesome devotion to Glee Club; she describes it as being the best part of her day (although she specifically instructs everyone to maintain that she hates it, if asked). She's very downtrodden just prior to their performances at Regionals, skeptical of their ability to defeat rival club Vocal Adrenaline and requiring extra encouragement to get her 'game face' on. She's obviously worried about the possibility of having Glee taken away from her, building on her previous admission of Glee being the best part of her day.

This all, along with her patient indulgence of Brittany's outlandish naïvety and their frequent cutesy physical proximity (hugging, cuddling, walking down the hallways with their pinkies linked, etc.), speaks of a very complex character in spite of her seemingly 2D "mean girl cheerleader" setup. She's got a hardened exterior but she's surprisingly tender inside and it's this strange duality that gives her character such a good deal of charm.

Santana Lopez 5/6

[skullduggery.livejournal.com]

Other:

- Santana learns how to effectively shop lift from April Rhodes.

- She disapprovingly considers bakesales "bougie" despite being rather "bougie" herself.

- Ranks 2nd place on the "Glist" (after Quinn).

- "Wants" to "get her anesthesia on" at the dentist despite having no real need (perfect teeth); shares a drug-induced dream sequence with Brittany, in which she plays Madonna to the other's portrayal of her iconic namesake.

- Has a tentative relationship with Mercedes Jones. The pair fought over Puck and still don't particularly like one another, but they both recognize each others vocal prowess and how well their voices compliment one another. Santana specifically sought out Mercedes to do a duet to "River Deep, Mountain High" even after rejecting Brittany.

- Was a voyeur along with Brittany outside the window of Ms. Pillsbury's office when she and Mr. Schue got up to a sexually charged practice session of "Touch-a, Touch-a, Touch-a, Touch Me."

Additional Links: Santana Lopez @ Glee Wiki (http://glee.wikia.com/wiki/Santana_Lopez)

Santana Lopez 6/6

[skullduggery.livejournal.com]

First Person:

Santana Lopez in the house. All you mouth-breathers better seriously appreciate what I'm doing for you right here. There's precious little time left leading up to Nationals now and if Coach Sylvester finds out I'm here giving this stupid interview instead of getting ready for our Saturday practice session she'll kick my ass right out of my spankies. So, chop-chop. Vámonos. Let's get this freak show on the road. You get ten minutes to ask all your burning questions. But let's be perfectly clear on one thing: we do not talk about Glee. At all. Whatsoever. Got it? Good.

Third Person:

Her hips move with provocative purpose; the swish of her pleated uniform draws attention as intended, to the shapely plain of her outer thigh. Santana smiles, white and pearly, at the meathead whose lewd fantasy she surely now occupies. "Come on," she purrs, fingertips following down the grain of his bicep, as she swaps standing in front of him for standing behind. "Let's get out of here for a bit."

In twenty minutes' time, they're squeezed into opposite sides of a booth at Breadstix. Santana's smile has changed from predatory to placated. Karofsky appears mildly disgruntled in return, as if recognizing somewhere in his little pea-sized brain that he's been duped. But the sexual frustration melts right off his face as the waitress arrives with their first basket piled high with warm, garlic-y deliciousness.

Santana reaches out to grab one between two perfectly manicured nails, blowing lightly on the end before taking a bite. The whole "better than sex" cliché is way overused, but she considers these staples of modern Italian cuisine to be nothing short of orgasmic.

After all, she doesn't fool around with Karofsky for his tiny dick or 'charming' personality. He's one of the only guys she knows with a bottomless wallet and a truck with a bed capable of hauling off all the excess breadsticks that the restaurant is legally forbidden to stop serving her.

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