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ddd_news2010-08-03 08:27 pm
tripled_mods) wrote in ddd_news2010-08-03 08:27 pmAPPLICATIONS -- 2010; 001
THIS APPLICATIONS POST IS CLOSED. Please direct your attention to the new one here!
tripled_mods) wrote in ddd_news2010-08-03 08:27 pm
Santana Lopez 5/6
- Santana learns how to effectively shop lift from April Rhodes.
- She disapprovingly considers bakesales "bougie" despite being rather "bougie" herself.
- Ranks 2nd place on the "Glist" (after Quinn).
- "Wants" to "get her anesthesia on" at the dentist despite having no real need (perfect teeth); shares a drug-induced dream sequence with Brittany, in which she plays Madonna to the other's portrayal of her iconic namesake.
- Has a tentative relationship with Mercedes Jones. The pair fought over Puck and still don't particularly like one another, but they both recognize each others vocal prowess and how well their voices compliment one another. Santana specifically sought out Mercedes to do a duet to "River Deep, Mountain High" even after rejecting Brittany.
- Was a voyeur along with Brittany outside the window of Ms. Pillsbury's office when she and Mr. Schue got up to a sexually charged practice session of "Touch-a, Touch-a, Touch-a, Touch Me."
Additional Links: Santana Lopez @ Glee Wiki (http://glee.wikia.com/wiki/Santana_Lopez)
Santana Lopez 6/6
Santana Lopez in the house. All you mouth-breathers better seriously appreciate what I'm doing for you right here. There's precious little time left leading up to Nationals now and if Coach Sylvester finds out I'm here giving this stupid interview instead of getting ready for our Saturday practice session she'll kick my ass right out of my spankies. So, chop-chop. Vámonos. Let's get this freak show on the road. You get ten minutes to ask all your burning questions. But let's be perfectly clear on one thing: we do not talk about Glee. At all. Whatsoever. Got it? Good.
Third Person:
Her hips move with provocative purpose; the swish of her pleated uniform draws attention as intended, to the shapely plain of her outer thigh. Santana smiles, white and pearly, at the meathead whose lewd fantasy she surely now occupies. "Come on," she purrs, fingertips following down the grain of his bicep, as she swaps standing in front of him for standing behind. "Let's get out of here for a bit."
In twenty minutes' time, they're squeezed into opposite sides of a booth at Breadstix. Santana's smile has changed from predatory to placated. Karofsky appears mildly disgruntled in return, as if recognizing somewhere in his little pea-sized brain that he's been duped. But the sexual frustration melts right off his face as the waitress arrives with their first basket piled high with warm, garlic-y deliciousness.
Santana reaches out to grab one between two perfectly manicured nails, blowing lightly on the end before taking a bite. The whole "better than sex" cliché is way overused, but she considers these staples of modern Italian cuisine to be nothing short of orgasmic.
After all, she doesn't fool around with Karofsky for his tiny dick or 'charming' personality. He's one of the only guys she knows with a bottomless wallet and a truck with a bed capable of hauling off all the excess breadsticks that the restaurant is legally forbidden to stop serving her.
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